Art Theory Essay Example | Topics and Well Written Essays - 1000 words

imposture Theory - Essay ExampleAs such a formidable tool, visual stimuli have play an important role in both publicity and advertising (propaganda), and other forms of public art-different parts of alliance at different points have created art to send messages, or created art to demonstrate the beauty, the potential, or the evil of something. While public art exists in many incarnations, from the seemingly innocuous logo to the graffiti at the bus stop to the almost universally-identifiable swastika or cross, its careful manipulation and is an extraordinarily powerful policy-making and economic tool. The advertising industry has capitalized on arts flexible nature, and makes billions annually off our susceptibility to the visual.Images have a long history of manipulation and an important role in propaganda. From the US Armys famous War Bonds posters of origination War II to Maoist propaganda, computes have been used for hundreds of years to send powerful political messages to the worlds uninstructed masses. The media, famous for its use of photography, has successfully changed the course of wars, stirred public opinion, ignited arguments, and evoked sympathy by means of skillful manipulation of visualizes. The US Armys innovative use of artistic images and paintings raised more than XXX in War Bonds between 194 and 194 One particular poster shows a valiant nurse in a bloodstained uniform cradling a wounded soldier in the background a fascist behemoth with cunningly painted green eyes lurks. The monster-in reality, probably a German soldier as young, poorly-educated, and muddled as our own-is depicted as subhuman, a creature whose only purpose is to thwart American land and to kill our men in uniform. The artists use of color, context, and detail carefully and clearly fulfills his social purpose if the modal(a) American Citizen wants to keep these terrible killers off of our shores, he must purchase War Bonds. The War Bonds posters, thank to this a rtist and a handful of others, were extremely successful. JC Lenneydecer, iconic poster illustrator during WWII, used powerful, quotidian images such as the Boy Scout to evoke feelings of patriotism and good (ER1). The images portrayed in these pieces of public art were stimulating, convincing, and terrifyingly real.Likewise, the image of the American icon Uncle Sam grew to represent something much greater than art. Although the government did not formally assimilate the image of Uncle Same until the 1950s, it had already become a pivotal part of the average citizens conception of the government (Ketchum vii). The personifcation of this contrive helped to make him that much more real, a presence to which genius must respond as if one were responding to ones uncle. Conversely, art provokes understanding of our own buttings art assists us with defining our sense of place. The cultural icons with which we surround ourselves are largely artistic, and largely specific to our parts of the world. In the United States we are intimately acquainted(predicate) with a thousand small logos, each of them carefully designed to be both visually large-hearted and to fulfill a certain purpose. We see this art every day in something as normal as a the Greenpeace logo, showing the Tree of Life, or the Nike logo, a constant reminder for one to be all that he can be. We look